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2020 EXHIBITION
New York Center For Photographic Art: "Decay, Corrosion, Rust..." curated by Darren Ching of The Klompching Gallery
The SE Center For Photography: "Alternative Processes" curated by Jill Enfield
A Smith Gallery: "Portraits" curated by Elizabeth Avedon
The SE Center For Photography: "The Instant Imagery" curated by Michael Itkoff
The Hand Magazine: "Alternative and Historic Photographic Printmaking" curated by Adam Finkelston
New York Center For Photographic Art: "Decay, Corrosion, Rust..." curated by Darren Ching of The Klompching Gallery
The SE Center For Photography: "Alternative Processes" curated by Jill Enfield
A Smith Gallery: "Portraits" curated by Elizabeth Avedon
The SE Center For Photography: "The Instant Imagery" curated by Michael Itkoff
The Hand Magazine: "Alternative and Historic Photographic Printmaking" curated by Adam Finkelston
2019 EXHIBITION
August 2019: AIA San Francisco Gallery (American Institute of Architects) "We the City" Exhibition
Please visit the series "These Cracks" under the Photography title.
August 2019: AIA San Francisco Gallery (American Institute of Architects) "We the City" Exhibition
Please visit the series "These Cracks" under the Photography title.
2017 EXHIBITION
September 2017: AIA San Francisco Gallery (American Institute of Architects) "Secret City" Exhibition
The theme, "Secret City" explores and reveals the many layers of historic San Francisco and how architecture and design play a key role in the ever-changing urban landscape. San Francisco is filled with many people on a daily basis—locals, residents, tourists, commuters, and homeless—each having their own perspective on San Francisco’s current state. Each group of people intimately understand certain parts of the city, while other parts of the city remain hidden or tucked away from the casual observer—the Secret City.
September 2017: AIA San Francisco Gallery (American Institute of Architects) "Secret City" Exhibition
The theme, "Secret City" explores and reveals the many layers of historic San Francisco and how architecture and design play a key role in the ever-changing urban landscape. San Francisco is filled with many people on a daily basis—locals, residents, tourists, commuters, and homeless—each having their own perspective on San Francisco’s current state. Each group of people intimately understand certain parts of the city, while other parts of the city remain hidden or tucked away from the casual observer—the Secret City.
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February 2017: Fouladi Projects "Coming Clean" San Francisco Exhibition
A cultural intervention and a first time collaboration between Fouladi Projects + Lava Mae based on a shared belief that art as a cultural tool has the capacity to elicit a visceral, almost cellular reaction in a way information cannot, challenging us to push beyond the stereotypes that frame our current perceptions.
A cultural intervention and a first time collaboration between Fouladi Projects + Lava Mae based on a shared belief that art as a cultural tool has the capacity to elicit a visceral, almost cellular reaction in a way information cannot, challenging us to push beyond the stereotypes that frame our current perceptions.
February 2017: "The Nocturnes 25th Anniversary" San Francisco Exhibition, Juried by Michael Kenna + Helen K Garber
The title of this exhibit reflects the hope to shine some light on two schools: Night Photography (NPy). The first, a romanticized landscape photography of Nocturnes traces its origins to the late 19th century, the Pictorialism movement, and later on, the efforts of the Photo-Secessionists. The second style of NPy – Noir – was heavily influenced by German Expressionism, Surrealism, and associated, as early as the 1920s and 1930s, with the newly formed cinema, which attained its apex in the Classic Film Noir period of the 1940s and 1950s.
The title of this exhibit reflects the hope to shine some light on two schools: Night Photography (NPy). The first, a romanticized landscape photography of Nocturnes traces its origins to the late 19th century, the Pictorialism movement, and later on, the efforts of the Photo-Secessionists. The second style of NPy – Noir – was heavily influenced by German Expressionism, Surrealism, and associated, as early as the 1920s and 1930s, with the newly formed cinema, which attained its apex in the Classic Film Noir period of the 1940s and 1950s.
January 2017: Inaugural exhibition at DaDa Art Gallery + Bar (San Francisco’s Financial District at The Mechanics Institute building)
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